“A complete stranger” – Timothée Chalamet: Dylan’s words “affirmative”

“A complete stranger” – Timothée Chalamet: Dylan’s words “affirmative”

In a recent post on X, Bob Dylan made it clear that he supports Timothée Chalamet in his role in James Mangold’s upcoming biopic A complete unknown. The legendary singer-songwriter wrote that Chalamet “is a brilliant actor, so I’m sure he’ll be as believable as I am.” And on Monday, the eve of the film’s LA premiere, Chalamet told Deadline that it reading Dylan’s words felt “really, really validating.”

As for what else Dylan thinks of the project as a whole, Chalamet said: “It’s hard to say. He is a mysterious, elusive figure. So I thought if he or his team didn’t want me to be there, I would have known. But I also didn’t really know how involved he would be.”

While writer-director Mangold confirmed to Deadline that Dylan has not yet seen the film, Chalamet noted that the musician “engaged creatively with Mangold, which was great, he contributed to the script,” but also that The project was never intended to accurately recreate Dylan. “It’s an interpretation,” he said. “That was a fable. This was not intended to be a factual replication of the situation on Wikipedia. Otherwise, you can just watch the existing footage.”

A complete unknown covers Dylan’s early introduction to folk music to the point where he picked up an electric guitar and turned to rock. Mangold and his co-writer Jay Cocks based the screenplay on the 2015 book Dylan goes electric! Newport, Seeger, Dylan and the night that divided the sixtiesby Elijah Wald and Edward Norton starring as Seeger, Monica Barbaro as Joan Baez and Elle Fanning as Dylan’s friend Sylvie (a version of Suze Rotolo, renamed at Dylan’s request).

Chalamet prepared for his role for five years, learning the guitar and playing all the songs in the film himself. When asked if he had thought about writing or performing music in the future, he said: “I’ve never done that seriously before , but there’s no such thing as serious writing.”

Chalamet also explained the decision to sing live in the film. He initially pre-recorded the tracks in LA with the film’s executive music producer Nick Baxter. But he said: “When it came time to do it, it was just better live and felt more alive and authentic.” It caused a bit of panic on set, but it was worth it. And Edward Norton was like the devil in my ear saying, ‘Do it live.’ You’ll sound better live.'”

Asked whether Dylan’s tendency to shy away from the fanfare surrounding big fame affected him personally, Chalamet said: “I think that’s probably true for every creative person.” I was talking to a friend the other day about that, if you go to art school or you’re an aspiring actor or singer, you end up being the only kid growing up who ever really had anything to say. That doesn’t mean you can’t be a great artist without them. You could have had lots of friends growing up, or a vibrant inner life. But often it’s isolation or moments of calm or introspection or observation – or in my case restlessness – that then gives you a voice. And the trick that I think Bob mastered pretty quickly in the beginning of his interpretation of the film – I can’t speak for the guy in real life – is to protect that. And your experience with someone on the street who is unfamiliar with your music or your art will somehow be more motivating at some moments in life than someone who is fawning.”

SearchLight Pictures’ A complete unknown hits theaters on December 25th.

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