Technically the best Spider-Villain movie

Technically the best Spider-Villain movie

The Spidey Universe of Cinematic Killers mission at Sony, commonly known as SUCKS, is complete. Venom has been unleashed, some profits have been made, the character license has been renewed, and Dakota Johnson has successfully avoided drinking a Pepsi. This means that Kraven – you know Kraven? Kraven the hunter? – introduces a lame term. Kraven the Hunterthe film, and the character, are cursed to wander the Earth, but especially the outskirts of Russia, where they spawn sequels and/or distractions and/or inexplicable grudges against Spider-Man that will probably never be fulfilled, at least not with the franchise Nomad Aaron Taylor-Johnson in a role that he once hoped would become his signature role.

As with Venom and Morbius, freeing Kraven from the conflict with Spider-Man means, above all, that he transforms from a real supervillain into a semi-typical antihero – an overpowered guy who kills thugs without remorse, but mostly for just reasons. If anything, this version of Kraven is even more sincere than his predecessors in SUCKS, who at least nominally struggle with monstrous urges. Taylor-Johnson’s Kraven, aka Sergei, is more human: The son of Russian gangster Nikolai Kravinoff (Russell Crowe, resplendent in his accented muttonliness), he is attacked by a lion on one of his father’s signature big-game hunts. Through this teenage mishap he also meets Calypso for the first time, who becomes his childhood sweetheart – in the sense that she anonymously gives him the magic potion that saves his life and, mixed with the lion’s blood, gives him super-strong, glowing eyes unspoken kinship with other mammals and agility in wall climbing. (You know, like a lion.)

Disgusted with his father and armed with his newfound powers, Sergei runs away from home, leaving his mild-mannered half-brother Dmitri (Fred Hechinger) to deal with Nikolai’s inconveniences. Eventually, Sergei adopts the vigilante identity of Kraven, hunting the very criminals his father is associated with and regularly checking on his lounge-singing brother (a suspiciously gifted copycat; hmm…). When rival gangster Aleksei Sytsevich (Alessandro Nivola), nicknamed Rhino to avoid beating around the bush, goes after Dmitri, Rhino moves high up on Kraven’s kill list. For reasons unclear, Kraven also enlists the help of Calypso (Ariana DeBose) in tracking down villains, although he boasts that no one can do it better than him.

It doesn’t seem that hard because while the settings of Kraven the Hunter Although the film’s world is far away, including Ghana, Siberia, and London, it is relatively small and Kraven doesn’t necessarily intend to save it. He’s the son of a gangster who mostly kills other gangsters, and this seedy crime family milieu suits the seedy director JC Chandor quite well. In fact, in what is by far the biggest twist in the SUCKS story, it turns out that if you can move away from the behind-the-scenes question of whether a superhero movie that’s unlikely to inspire sequels will definitely become pointless (always a point of contention for the contemporary comic nerd). ), Kraven the Hunter is a lot of fun.

Well, maybe “a lot” depends on expectations. But while all the previous films in this newly released series seemed to have been thrown together in a panic, Chandor’s film seems to have been thrown together with a lot of confidence and a bit of style. As with many franchise films, some of the more memorable images seem to be lightened by demands for coverage, but at least there are a few here that aren’t pure splash-panel freak-bait: a shot of the brothers silhouetted in the wilderness; the tawny interiors of Nikolai’s club, reminiscent of sets from Chandor An extremely violent year; the rough, tough way Kraven takes turns as he hotly and barefoot pursues his prey. Chandor shoots with the widescreen frame in mind and not a seductive sizzle reel.

That doesn’t liberate Kraven the Hunter of many stupid and/or ridiculous twists. There’s at least one too many comics C-star (for no reason Christopher Abbott is…The Foreigner!), and the movie has no idea what to do with Ariana DeBose when Calypso – nominally a lawyer! – don’t spread voodoo potions. (At the film’s grand finale, she disappears entirely, never to be seen again.) The difference between this and, say, Morbius or even one Poison is that Kraven’s stupid stuff is efficient and coherent, with the jazzed-up repartee kept to a minimum. It’s amusing, but not shocking, to see Richard Wenk, the old-fashioned action writer of the Equalizer films and The protégéia is involved in the script; This supposed superhero movie is mostly about characters sneaking into various bases to kidnap, rescue, and commit some enjoyably nasty murders (though it suffers from the CG gore problem that plagues almost all Click-to -Bleed-R-Rated mega-productions).

Obviously, viewers’ amusement and affection can vary. When Chandor does the “hand lightly stroking grass” shot as young Kraven is carried to his eventual doom in the jaws of a CG lion; when Calypso reacts to almost everything in this film with ridiculous nonchalance and appears to have a change of superhero clothes with him when he’s on the run from gangsters; as Nivola outdoes Crowe by turning into another dark mirror version of Spider-Man; and in many other moments some will probably howl in derision. However, this may have more to do with high-budget superhero films erasing memories of the cheaper B-movies that this film is reminiscent of. Kraven the Hunter comes closer to understanding the silly, entertaining freedom of losing continuity than any of its predecessors. Then again, perhaps it’s best if this failed streak ends while she’s barely in the lead. Part of the fun of Kraven The hunter is knowing that it’s over when it’s over.

Director: JC Chandor
Writer: Richard Wenk, Art Marcum, Matt Holloway
With: Aaron Taylor-Johnson, Alessandro Nivola, Ariana DeBose, Russell Crowe, Fred Hechinger, Christopher Abbott
Release date: December 13, 2024

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