Photo courtesy of Walt Disney Company Korea

Photo courtesy of Walt Disney Company Korea

Photo courtesy of Walt Disney Company Korea

Photo courtesy of Walt Disney Company Korea

Actor and director Kim Hee-won, 53, expressed his feelings about trying to direct.

Director Kim Hee-won interviewed the Disney+ original series “Light Shop” (played by Kang Pul, directed by Kim Hee-won) at a cafe in Jongno-gu, Seoul on the morning of the 20th.

Director Kim Hee-won expressed his feelings about meeting reporters as a director, saying, “(It’s different from when I was an actor). I think I should be careful what I say. When I was an actor I said, “I don’t know, but I just said it.” He said: “If it’s bad, it’s bad, and if it’s good, it’s good, but now I feel pressured to say it’s good.”

Director Kim Hee-won remembered the time of filming: “I noticed that every day. I really looked at the actors a lot, I looked at the staff a lot, and I looked at the actors for six months. I noticed a lot.” Personally, the fact that directors are suspicious of others means that directors should do this, this, this, this, this, this, this, this, this, this, this, this, this, what should we do now? The moment you do it, you’re not just waiting for yourself. What should I do to get this person to do something themselves? I wanted you to keep doing well,” he said, sparking laughter.

In “Moving” they met as actors and writers, but this time it is Kang Pul and Kim Hee Won who became directors and writers. Director Kim Hee-won said, “When I met as an actor and played the role of Choi Il-hwan, what was it?” I don’t like it. I say, “There must be a justification for action, but I find it strange.” And then I changed it and we talked about it a lot. But what should we do to improve the conversation with the director? But there is something you really want to do as a writer. But there are times when things are different than I think. How do you make it go well? And since I’m an actor, is it difficult to act like that? How to change it like that and how to adapt it to the intent of the production. I think we’ve had a lot of these conversations.

Director Kim Hee-won put a lot of thought into the process of accepting the offer as a director. When I first received the script, it was so difficult that many other directors couldn’t decide. There were cases like that, and people who looked at the script after I read it also said it was confusing, but so did I. The work is now much easier than the script. I was wondering what to do with this difficult matter. When the line between life and death is an issue, people might think, “That must be difficult,” but don’t see it, and what happens if I fail as a job for the first time? People don’t look at it. After thinking about it for a long time, I also think that I need to talk about it these days. Most people move on too quickly. I don’t think there’s been this talk recently. No matter how many films you watch. It would be fun to do things that others haven’t done. So I said, “Yeah, let’s try it.”

Director Kim Hee-won said, “I think I thought about it for about a month.” I thought about it even after I said I would do it. Should I stop now? So I think it’s two to three months if you count that. At that time I was also preparing a short film, but I was already ready to shoot it. I suddenly came in and thought about it more. I thought I should start with a short film and do that, but suddenly I got a big one. Can I do that? I’m worried about this, and I can film short films myself on my phone, but I can’t hide it if I don’t watch them often. I thought about my life. “Won’t this change your life?” I did. It’s not a good change, but if it breaks it’s a big deal. I thought about that too.

Director Kim Hee-won joined after receiving a suggestion from Kang Pul. He said, “When Kang Pul suggested it, ‘What did you see and ask me to do?'” Kang Pul said. He said he liked it best when I watched the move. “It’s just a normal teacher.” What do you like about it?” So you’re going to do this “move”?? I think that was it. Everyone has superpowers, but I’m the only one who doesn’t have them. I’m not the only one fighting superpowers, and if you throw me into Move, I’ll fly far away and crash into the wall, but I won’t die. In any case, you have to love your students very much to combat superpowers. I changed my script a little bit because I said I should put a God who loves the students because I have to fight for my life, but I can’t fight it ridiculously. I heard that Kang Puls’s thoughts were convinced by me. When you do “movement”. So I think it’s a little impressive for them to convince them to write the script and do “Moving.” That’s what he said. He said the acting was good on the outside, but that’s exactly what he said.

The only place that lights up the end of a dark alley is the lighting shop, which tells the story of customers with suspicious secrets who come to the lighting shop and gained attention as Kim Hee-won’s directorial debut in Kang Pul’s original work.