Director Walter Salles said many Brazilian viewers had seen the premieres and pointed out that his film “Ainda Estou Aqui” was already in the global collection. Finally, when a major national educational institution had no online commitment a year ago, or I have not been in the international media space for a long time, I made sure to check out the rewards.

“The Brazilian public is angry and has chosen the film, is clamoring for the film. Like the New York Times, the Guardian and the AFP agency reported this in advance,” Salles said Folha Neste Domingo, before the Globo de Ouro ceremony.

“It is very clear to me that it is a film that I present to the world the most when I saw it, when I heard it. He returned to the Brazilian public to the cinema halls to make films of a kind of community film and to meet again a part of the history of Brazil that comes from the trade “Best studied.”

This is a quarter in which Salles was pointed to Globo de Ouro, including “Central do Brasil” (1998), which reached the international film awards, “Abril Despedaçado” (2001) and “Diários de Motocicleta” (2004). “Ainda Estou Aqui” is also a drama actress starring Fernanda Torres.

We believe there are chances to win and say our favorite today is “Emilia Pérez” by Jacques Audiard, which has all of these details.

“We definitely don’t have favorites,” Salles said. “I don’t think it’s a clear favorite and that the film that indicates more is Audiard’s film.”

The film Salles contained more than just the categories specified in the category was an outro. He quoted “Tudo que imaginamos como Luz” directed by Indian Payal Kapadia, who also discussed it best.

“It was a film that I had to transport to the universe because I had trapped a lot of people in Bombaim, and I also had a film character,” Salles said.

“O the cinema, as long as it is allowed to transform, you are with these people, you feel yourself, or whatever it means. It is a time when it is physical and sensual. I am deeply connected to the talent that I have realized.”